We started as a production company and recording studio and have expanded in to the projection mapping market. We started Blockhouse Studios 7 years ago in Bloomington Indiana. This new show activates sensory stimuli thanks to the fusion of sound effects and music with images on two surfaces, the screen of the cinema and the monolith, creating a 3D space. Until then, enjoy this tutorial! They succeed to exploit the huge floor 7 of the famous festival by creating a massive setup : No less than 5 LED slices were used, which represents 38 LED pixels for DMX universes. A lot of improvements are coming soon for the miniMAD by the way! Stay tuned for the next MadMapper v4 version, which be released by the end of this year hopefullyAlso, with the new Raspberry we do hope as well to offer a new, upgraded version of the miniMAD product in the future but that will require a lot of work and hard-testing.
The project explores electronic soundscapes with classical techniques, performance and multimedia design. And they do create awesome installations as well! In collaboration with musicians and engineers, the 2 founders create immersive and gorgeous AV live performances in various venues.
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You can now download and use the BETA version already at version 5! After we performed for the first time, Subhaze immediately started getting more attention.We are very, very proud of this new version that will come with a bunch of new features and improvements. We make different decisions live in this context. We also liked the idea that we could place the set-up centrally, with a degree viewing angle for the audience. We both felt it carries more weight to the live aspect of our performance vs the traditional 2D screen. It incorporated a quadratic surround sound system. I always wanted to create a mobile immersive structure or space that could I perform the visuals within. It could be used for both live performance and installation that people could walk in. I saw that the use of translucent material and holographic effects were getting increasingly popular and I felt it was time to make it.
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It was also my first experience with floor projection which is very fun to play within both a performance or install context. That was one of my first experiences having a large scale AV installation up for the long term. The following year we were invited to put a piece for each project in the exhibition rotation. I had spoken with him online for some time so I was excited to see what he was up to in person. Generally, I show my work in more of an art gallery, music venue, or festival context. The scale is such an important factor, especially for the visuals. It started off with me making animations for his music and eventually we just started creating things from scratch together.įinding collaborators that wanted to explore that in different ways became the most important agenda. I taught a couple of chords to a classmate in our visual arts group who would end up becoming a touring guitarist and producer. I tried to play bass in middle school but it never really stuck. I was always envious of the immediacy of music. I like this idea of questioning the nature of reality while playing with it. I was fortunate enough to have a family that really motivated me just to make things.
Continually referencing back to that show over the years made the name stick out when we decided to name the collab.
Also its the last three letters of my last name haha. We reserve the right to remove posts and/or comments that contain blatantly dangerous advice.NON Visuals. Always consult properly trained personnel when making any decisions on rigging, construction methods, or other areas of production technology that involve risk to life and property.
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